The three most prevalent themes in the discussion are:
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The Questionable Viability and Quality of AI Font Generation: There is significant debate over whether current AI technology is competent enough to produce production-quality fonts, especially complex ones like CJK scripts, despite the potential for stylistic prompting.
- Supporting Quote: "Anybody can make a font, making a good font is a highly under appreciated art form." β internetter
- Supporting Quote: "Fonts are not generated as bitmaps, anyone who doesn't see how AI can and will be good at font generation is a fool." β halapro
- Supporting Quote: "Ask the models to create vector SVGs and you'll understand how far off they are on shapes." β rdsubhas
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The Negative Impact and Business Practices of Monotype/Private Equity (PE) Acquisitions: Users are highly critical of Monotype's aggressive business model, particularly massive price hikes and aggressive auditing practices following acquisitions of smaller foundries, viewing it as predatory short-term profiteering.
- Supporting Quote: "Monotypeβs business practices are such that I wonβt approve anything but open source fonts for new projects." β mattkevan
- Supporting Quote: "Basically, if you're going to raise prices, at least do something about the fact that your core market is heavily relationship dependent and won't take kindly to a sudden rug pull." β Shank
- Supporting Quote: "It's Palo Alto equity firm HGGC so you are totally right it's Oracle playbook not a mistake." β omnimus
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The Extreme Complexity and Importance of CJK Font Design: Many contributors emphasize that designing high-quality fonts for languages like Japanese (CJK) is a significantly massive undertaking due to the thousands of required glyphs and complex design rules, making simple font swapping difficult or impossible.
- Supporting Quote: "Also, generating images and programs are basically orthogonal... AI could generate impeccable photorealistic images of clocks years ago, and they're much more complex than font glyphs (specifically talking about transferring a style to other glyphs; you still need to do the initial design to get something appealing, obviously)." β oefrha* (Speaking about transfer complexity, highlighting the difficulty of initial stylistic design).
- Supporting Quote: "It would be pretty easy to make a font generator using LLMs and visual models. ... But I wouldn't be confident of GenAI's ability to go from sprite sheet to proper TTF with glyphs described as curve/points without a LOT of manual work - and especially not when we're talking about a language with complicated logographs." β vunderba
- Supporting Quote: "Type layout in Japanese in particular has a system of layered, complex rules that include rules that define how to combine Western glyphs with Japanese glyphs and produce visually harmonic work. Swapping a font out due to a cost issue is not workable." β schainks